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An interview with Rob Doyle

Rob Doyle’s latest book, Autobibliography (2021), originated from an Irish Times book column, where he was asked to write once a week throughout 2019 about a pre-twenty-first-century work of literature, at no more than 340 words per book. He describes it as ‘the book chat equivalent of haiku condensation’. The other half of Autobibliography is a mirror text of sorts, written during lockdown in 2020, and are reflections upon these reflections on books, spanning many different kinds of writing, including memoir, anecdotes, travelogue and other, less categorisable forms. Doyle is the author of the short-story collection This Is the Ritual (2016), as well as the novels Threshold (2020) and Here are the Young Men (2014), which has recently been made into a film. Liam Harrison (LH): What was the experience of writing the shadowy half of Autobibliography, which came after writing your Irish Times columns, and what was it like...

Breach

He was always a fish guy. Rice. Broccoli. Simple. Tasty. The first meal he ever made for me was back when he owned a toaster oven. Fish sticks. Tater tots. It probably took him no more than fifteen minutes to put together. I watched him from the kitchen table. Now and then he’d stop what he was doing, bend to kiss me. Remark on something or other. Sip from a glass of chilled wine. Whistle softly while he plated up.

43 Notes about a Film

1. It is a ‘sentimental mishmash . . . muddily photographed in flat television style.’ Peter Nicholls, The Encyclopedia of Science Fiction 2. It ‘invites you to have some wonderful dumb, callow fun.’ Pauline Kael 3. It was made for €12 million – even at the time a relatively small budget – and released on 4 June 1982, when I was not quite a year old. 4. I don’t remember the first time I saw it, though I can guess that it was probably around 1991, when I was ten. I must have watched it at least half a dozen times a year since then. I am now forty, which means that I have seen it some 180 times. If we factor in the period in the middle of my adolescence when I watched this film once a week – every Wednesday afternoon, when school finished early – we can...

Gan Comhartha Lena Chomóradh

Off the northwest coast of Ireland, between the white sands of Trá Bhán and the Atlantic’s roiling waves, there is a rocky islet, approximately 150 metres long and 100 metres wide, marked on Google Maps as Illanamarve. The islet transforms depending on point of observation: from certain parts of the surrounding landscape, it presents as one of the many promontories edging the shore, from other angles, it’s clearly a place distinct. Though visible from most nearby towns, such as Annagry and Carrickfinn, at closer range Illanamarve is intermittently blocked from view by rising topography. Just as you catch sight of it, you lose it again. Composed almost entirely of granite, the island has a shallow covering of soil and grass but is devoid of trees or shrubbery. The route from Trá Bhán to the island – passable only at low tide – changes quickly underfoot from sand to loose rocks...