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Sara Baume | Tolka Issue Six, July 2024 Mollie leaned over the kitchen sink and picked up a little glass bottle from the windowsill. She measured three drops into the plastic cap and showed me – it was viscous, dark brown – then she added a splash of water from the cold tap, and swirled, and held it out again so that I could see how the substance had turned – in a fraction of a second, in a spontaneous display of alchemy – so pale and cloudy that it resembled weak, milky tea. Then she knocked it down her throat like a shot, twisted her face in disgust and listed the names of the supplements she was taking to sustain her immune system. The sun was high above Mollie’s cabin. Light reached in the kitchen window and across the sink, fingered the rug in front of the log stove...
Julia Merican | Tolka, Web Only, April 2024 Amina Cain’s writing articulates seemingly small, peripheral things that nonetheless hold us in their thrall with bewitching precision: the specific sadness of candlelight dancing across a solitary dinner table; how we catalogue our encounters with books that have moved us; the pleasure of going out to buy the persimmons and the butter, of sinking into a painting after a long day of labour, of meeting a friend after a spell of loneliness. Cain is the author of the short-story collections, I Go to Some Hollow (2009) and Creature (2013), the novel Indelicacy (2020), and A Horse at Night: On Writing (2022), a series of essayistic enquiries. She spoke to me from Los Angeles in October 2023. Julia Merican (JM): When I knew I was going to be speaking to you, I started to read the interviews you’d already had with other people....
Liam Harrison | Tolka, Web Only, November 2024 In September I spoke to Colin Barrett about his latest book, the novel Wild Houses (2024), which was longlisted for the Booker Prize. Colin is also the author of the short-story collections Young Skins (2013) and Homesickness (2022). A short story from Young Skins, ‘Calm with Horses’, was adapted by Nick Rowland into a film in 2019, starring Cosmo Jarvis, Niamh Algar and Barry Keoghan. Years ago, I was working in book distribution when a friend first recommended that I read Young Skins. I responded petulantly to the recommendation, thinking that smalltown Irish malaise was overdone, and that I’d already read enough fiction about it. In our conversation below, Colin touches on the sweeping naivety of youth – how being dismissive, and growing out of it, is a necessary part of being a writer and, in this instance, a reader. Thankfully, I...
Jennifer Walshe | Tolka, Issue Three, July 2022 Imagine walking through the car park of a supermarket and seeing a baby sleeping on the back seat of an empty car on a very hot day. The baby looks like it’s barely been born; it has mottled skin; the squashed features babies have for the first few days. It looks to be sleeping, but it’s not moving properly. Something seems off. Is it breathing? Is it drugged? And why isn’t it in a car seat? It’s lying on a sheepskin. It should be in a car seat. Jesus Christ, what monster would leave a baby alone in a car? You need to sprint over to the security guard right now, ask them if they can break the window. You need to run screaming into the supermarket to page whoever owns the car! But . . . Oh, oh, oh. It’s not...